Issue No. 90
Who Gets to Say What Something Is?
We outsourced aesthetic judgment to suspicion, and the artist pays the fine.
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When a tool can do anything, what's still worth doing by hand?
I was a professional photographer in New York City back in the '80s. Back then, this involved a lot of manual processes and running back and forth to the lab. I started as a lowly assistant, walking down to 23rd Street where our lab was several times a day. We were working 11 by 14 view cameras…
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Issue No. 90
We outsourced aesthetic judgment to suspicion, and the artist pays the fine.
Read this issue →
Issue No. 89
The loudest protest reaches the already convinced. The quiet one gets inside the frame.
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Issue No. 88
Four people picked the hardest path on purpose, and found something worth keeping there.
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Just the stuff I actually think is worth your inbox, no pitch, no noise.
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